After years of increasing harshness on the dancefloor culminating in Gabber, round 1992 the time has come for exploring more friendly grounds. 55-minute mix from the advent of personal computers for everyone and the internet – with tracks by Acid Jesus, The Black Dog, Cylob, Like A Tim, and others.
Aware of musical traditions and eager to incorporate the latest technology in his productions, Haruomi Hosono is one of the most versatile and influential figures in Japanese popular culture. 44-minute program with various collaborations and solo works by the co-founder of Yellow Magic Orchestra – realized between 1975 and 1995.
The second program about turning ideas into sound: a politician’s elusion becomes poetry, music of the collective subconscious is transferred into a dreamy landscape, and insects’ microtonal sounds get rhythmic. 36 minutes with pieces by Blancmange, Graeme Revell, Gregory Whitehead, Holger Hiller, and others – realized between 1967 and 2011.
Owing to a straightness rooted in punk, new things and personalities get invented everywhere and all the time in West-Germany’s music scene of the eighties. 53-minute program with Freiwillige Selbstkontrolle, Holger Hiller, Ingrid Wiener & Chor, Martin Kippenberger, and others.
Traditional instruments and music – twisted by composers, improvisers, rockers, synthesists, industrial and electronic musicians. 43-minute program with works by The 13th Tribe, Don Cherry, Harry Hosono and the Yellow Magic Band, Sun City Girls, and more, realized between 1967 and 1994.
Fuelled by collaborations between producers, singers, and studio musicians in ever new constellations, the seventies mark the transition from ska and rocksteady into a multitude of styles in Jamaica. 46 minutes with Keith Hudson, Norma White & Brentford Disco Set, Sound Dimension, Susan Cadogan, and more.
Known for his innovative studio techniques, unique production style, and weird tunes, Lee "Scratch" Perry combines influences from soul, funk, reggae, and dub in the early and mid seventies. 46-minute program with 14 tracks from the Perry orbit.
“Listen to your world. It may be more interesting than all the things you buy to escape from it.” 46-minute program that proves Sasha Frere-Jones’ observation from 1999 right – with field recordings by Alejandra & Aeron, Bill Fontana, Chris Watson, Félix Blume, and others, made between 1958 and 2018.
Free of artificial ornamentation, well balanced, and designed with love for detail, some eighties Japanese ambient music resembles the concept of the countries' traditional gardens. 51 minutes of music striving to enhance environments – with works by Haruomi Hosono, Inoyama Land, Masahiro Sugaya, Yasuaki Shimizu, and others.
Reminiscent of a certain time or place, these tunes are for a chill-out zone. 49-minute program with memories and fantasies by Cluster & Eno, Geir Jenssen, Graeme Revell, Muslimgauze, and others, realized between 1970 and 2014.
The other ambient – made for listening. 53-minute program with slow-paced music by Jocy de Oliveira, Laurie Anderson, Paul De Marinis, Yasuaki Shimizu, and others – made between 1968 and 2013.
The electrification of music during the 1950s leads to a multitude of artistic concepts. 50 minutes of fieldwork and funny sounds with Alireza Mashayekhi, Else Marie Pade, Enore Zaffiri, İlhan Mimaroğlu, and more.
Synthesizers brought new sounds into the world. 43 minutes of music with oscillators, filters and envelopes controlled by Conrad Schnitzler, Daphne Oram, Erkki Kurenniemi, Laurie Spiegel, and others – between the early sixties and 1977 (plus an exception).
During the seventies, musical traditions are being rediscovered in Japan. By blending them with their own preferences, artists create new sound worlds. 48-minute program with works by Akio Suzuki, Haruomi Hosono, Jun Togawa Unit, Toshi Ichiyanagi, and more, realized between 1969 and 2000.
Observations from the Land of the Free. 52-minute program of artistic snapshots by Amiri Baraka, Ann Magnuson, Culturcide, Henry Rollins, Negativland, Peter Roehr, and others – produced between 1966 and 2002.
Compiling a varied and dense collection of artistic concepts, the subscription only tape label Tellus documents New York’s expansive art scene between 1983 and ’93. 29-minute program featuring tracks from 13 releases, with works by Cardboard Air Band, Gretchen Bender, Liquid Liquid, Remko Scha, and others.
Forming a loose community of interdisciplinary collaborators, Fluxus artists are rethinking the role of art in society during the sixties. 47-minute program with Carolee Schneemann, Henning Christiansen, Terry Riley, Yoko Ono, and more – with pieces made between 1959 and 2014.
In the late sixties, women composers start mixing various kinds of sonic material. Often their idea of intermedia art has a link to human life. 88-minute program with Christina Kubisch, Eliane Radigue, Frankie Mann, Ruth Anderson, and more.
10 pieces about the mysteries, realities, and prospects of airwaves. 30-minute program with works by The Android Sisters, Dan Lander, Negativland, Phil Harmonic, and others – made between 1960 and 2004.
With reel to reels, poetry reaches the next level in the 1950s. Language could get arranged in completely new ways. 37 minutes with Ernst Jandl, Henri Chopin, Neil Mills, Sten Hanson, and others – realized between 1956 and 1991.
For some, the piano is the instrument of instruments. Here are ten good reasons why. 40-minute program with works by Charlemagne Palestine, Graeme Revell, Henry Cowell, Johanna Magdalena Beyer, and others – composed between 1912 and 2017.
Letters and numbers as material for expression. 40-minute program with ideas by Brion Gysin, Demetrio Stratos, Henri Chopin, Lawrence Weiner, and others – invented between 1917 and 2006.